![]() At the same time, Hythloday tends to be pretty dogmatic in his views. It's difficult for the other characters to get a word in edgewise. Hythloday is very wordy and he speaks in long sentences. Hythloday is the main character in Utopia and he is distinct and unique from the others. Vespucci was actually a sailor and discover (after whom America is named). Hythloday is a Portuguese man who sailed on the fourth voyage of Amerigo Vespucci. Unfortunately, the island does not exist. Raphael is the name of a Biblical angel but the name Hythloday means "peddler of nonsense." Hythloday brings good news of the ideal society, found on the island of Utopia. Though Giles and More are actual people, Hythloday is entirely fictional. Giles introduces More to Raphael Hythloday and Utopia is a narration of Raphael's words to Giles and More. In Utopia, Giles meets More when the Englishman travels to Flanders (present-day Belgium). Peter GilesĪ friend of the author, Giles was a printer and editor, also serving as the Clerk of Antwerp. ![]() In the closing letter to Giles, More makes it clear that Utopia is a fictional place that does not actually exist. More is very clever and he makes several jokes and puns in attempts to be humorous. In the opening and closing letters to Peter Giles, More reveals aspects of his character. More does not do much speakingHythloday is the main speaker. In the opening letter to Peter Giles, More explains that he is writing a record of a conversation that he and Giles had with a man named Raphael Hythloday. Students will be able to explain how utopian writing was shaped by – and in turn helped to shape – the major processes of transformation that define the early modern period, ranging from religious reform and political revolutions over geographic discoveries and the beginnings of transatlantic colonialism to visions of social levelling and re-assessments of received gender roles.The author of Utopia. On completion of the lecture, Students will have become familiar with key texts of early modern utopian writing and will be able to situate them in their literary and historical contexts. ![]() ![]() Topics to be discussed in more detail include the relationship between utopian writing and other genres and modes of writing such as travel writing and satire, the relationship between utopian writing and early colonialism, or utopian writing as a form of social and political critique and philosophical speculation more generally. selections from John Milton’s Paradise Lost (1667). We will also read drama that engages with utopian ideas, such as William Shakespeare’s Tempest (c. In this lecture, we will consider such questions in utopian prose fiction from Thomas More’s Utopia (1516) over Margaret Cavendish’s Blazing World (1666) and others up to Jonathan Swift’s Gulliver’s Travels (1726). Can perfect worlds and societies ever exist? And what price is to be paid for attempting to bring them into being? When Thomas More coined the term ‘utopia’ in 1516 in order to describe an ideal commonwealth, he captured this fundamental ambivalence of utopian thinking with a characteristic pun: ’utopia’ means ‘good place’ (gr. Some of their visions did indeed come true – but the outcome rarely ever met their expectations. They dreamt of worlds in which tyrants and warmongers would be brought to heel, where God would be worshiped purely and without idolatry, and where humanist learning and eloquence would overcome ignorance and superstition. While the twenty-first century has been rather sceptical about utopian thinking in the face of overwhelming global challenges such as climate change and shortage of resources, the early moderns vividly imagined and desperately hoped for better worlds. The early modern period was not only an age of discoveries, in which Europeans became aware of a whole “new world” in the Americas, it was also an age of imagining better worlds – an age of utopian fiction. Wednesday 08:15 - 10:00, Hebdomadaire (Autumn semester)
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